" Trent’anni de L’Homme Armé "

L’Ensemble L’Homme Armé si dedica da ben trent’anni allo studio e all’interpretazione della musica antica, soprattutto vocale; rivolge particolare attenzione alla musica italiana e all’ambiente culturale della città in cui l’associazione ha sede, Firenze. Da alcuni anni ha esteso il suo repertorio a progetti che affiancano musiche antiche a musiche contemporanee, affrontando programmi molto originali frutto di ricerche comparative tra le prassi esecutive antiche e quelle contemporanee.

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  • April 11, 2013 Berio Day *I MARTEDÌ 28 MAGGIO 2013

    Berio Day *I

    MARTEDÌ 28 MAGGIO 2013

    ore 19

    al Piccolo Teatro Comunale

    Corso Italia, 12

    www.maggiofiorentino.it

    L’Homme Armé

    Tempo Reale

    LUCIANO BERIO “VISAGE / A-RONNE”

    Luciano Berio, Visage, per suoni elettronici e la voce di Cathy Berberian, su nastro magnetico (1961)

    Luciano Berio, A-ronne (1975), per 8 cantanti (su una poesia di Edoardo Sanguineti)

    L’HommeArmé

    Gabriella Cecchi, Monica Benvenuti, soprani

    Lucia Sciannimanico, Patrizia Scivoletto, contralti

    Giovanni Biswas, Luca Dellacasa, tenori

    Matteo Bellotto, Gabriele Lombardi, bassi

    direttore Fabio Lombardo

    Tempo Reale

    Regia e proiezione del suono, Francesco Canavese e Francesco Giomi

    Produzione: Maggio Musicale Fiorentino, L’HommeArmé, Tempo Reale

    Il concerto costituisce la prima parte del “Berio Day”, con inizio alle ore 19 (biglietto per tutto il “Berio day: euro 15; un solo concerto: euro 10) e vede L’Homme Armé e Tempo Reale nel felicissimo allestimento di A-ronne già proposto con gran successo al “Tempo Reale Festival” presso la Limonaia di Villa Strozzi nel 2010, unica ripresa dopo il debutto fiorentino del 1977 col gruppo Swingle II, per il quale fu elaborato. Nella versione per otto cantanti, A-Ronne rappresenta, anche grazie alla collaborazione con il grande poeta Edoardo Sanguineti, una delle punte di maggior rilievo della ricerca vocale condotta da Luciano Berio a partire dagli anni Cinquanta.

  • October 16, 2012 CONCERTO AL QUIRINALE 21 ottobre 2012
  • September 9, 2012 CONCERTI AL CENACOLO 2012

    CONCERTI AL CENACOLO 2012

    Cenacolo di Andrea del Sarto

    at the Museum of San Salvi (via San Salvi 16, Firenze)

    from 19 to 29 October

    Friday, 19 October at 9:15 pm

    Madrigal Mystery Tour

    L’Homme Armé and  Cappella Musicale S.Maria degli Angiolini conducted by G.L.Lastraioli

    Wednesday, 24 October at 9:15 pm

    Salve, flos Tuscae gentis

    L’Homme Armé

    Music by Gherardello, Paolo tenorista, Dufay, Isaac

    Friday, 26 October at 9:15 pm

    Da Monteverdi a… Monteverdi

    Elena Cecchi Fedi, soprano – Alfonso Fedi,clavicembalo

    C. Monteverdi, S. Scheidt, H. Scheidemann, J.J. Froberger

    Monday, 29 October at 9:15 pm

    Missa de beata Virgine

    L’Homme Armé conducted by Fabio Lombardo

    Music by Josquin des Prez, Isaac et alii

    Tickets and reservations:

    Cenacolo di Andrea del Sarto at the Museo di San Salvi (via di San Salvi 16, Firenze; concerts start at  9:15 pm,  entrance euro 10, reduced euro 5; info and reservations: 055/695000 – homme.arm@gmail.com).

    The program of this year’s series of concerts will also include modern music: in fact the sensational success of one of the concerts of “AntiCOntemporaneo”, the Madrigal Mystery Tour, that brings together madrigals composed by John Dowland at the time of Queen Elizabeth I and a rich selection of songs of the Beatles, has induced the organizers to console, with a rerun on Friday October 19th,  the many who had not found a seat at the concert that was held at the Museo Marini in July. The music of the Beatles is revisited by rearranging the songs in madrigalistic form without betraying the original rythmical spice although being accompanied by a band of four musicians playing early instruments.

    On Wednesday October 24th  the program calls for SALVE, FLOS TUSCAE GENTIS, Sacred Music in Florence between the Middle Ages and the Renaissance, a rich selection of works by musicians who were active before and after the significant sojourn of Guiullame Dufay in Florence. The concert presents the various musical styles of the time: the first is the one that can be found in the musical compositions of Gherardello, Paolo and Lorenzo, that shows the characters of the counterpoint subtilitas and of the expressive dulcedo; the other, which one can find in the Ave Verum and in the Veni Sancte Spiritus by anonimous, is the technique of the cantus binatim, a simple counterpoint that derives probably from an improvisational praxis that was handed down orally.

    In the last part, in between two works by Dufay, written in Florence, we will listen to two pieces by Heinrich Isaac, a marian motet and Quis dabit, the very well known lament written for the death of Lorenzo the Magnificent.

    On Friday October 26th, the soprano Elena Cecchi Fedi, accompanied at the harpsichord by Alfonso Fedi, will present Da Monteverdi … a Monteverdi, music by C. Monteverdi, S. Scheidt, H. Scheidemann, J.J. Froberger. The program phocuses on the fundamental role of Monteverdi (and more generally of Italian music) in seventeenth-century music scene.

    The series of concert will be closed on Monday, October 29th by the Missa de beata Virgine et alia carmina: Josquin and the Flemish composers in Italy,  music by Josquin, Brumel, Isaac, Weerbeke, Ninot le Petit e Coppini.

    The Missa de beata Virgine is one of the last franco-flemish compositions by Josquin Desprez, one of the most important composers of all times. Edited for the first time in 1514, it has been the most famous mass of the main part of the XVI cent. The Missa will be presented here in concert form with inserted musical compositions of  authors contemporary to Josquin. This alternation will show the connected musical styles and the similar cultural environments; this combination aims to highlight moreover the expressive character of these musical compositions, which are based on different texts and that may appear far removed from the atmosphere of a modern concert. The performance, which is particularly rich in nuances, will find a special sound form against the beautiful visual background of the Cenacolo of Andrea del Sarto.

    With a program similar to the latter, the ensemble L’Homme Armé will perform on Sunday, October 21st in Rome, invited by the very prestigeous festival Concerti del Quirinale, which are broadcasted live by the Italian national radio station RAI3.

    On the afternoon of October 20th, a preview of the above concert, in the form of a n open dress rehearsal dedicated to Sara Chiarenza (a friend and collaborator prematurely passed a way) will take place in a artistically and spiritually significant venue in Tuscany.

  • June 25, 2012 ANTICONTEMPORANEO 2012

    Sorry, this entry is only available in Italiano.

  • June 21, 2012 FOUR a night with JOHN CAGE Florence Station Leopolda 13 may 2012 Fabbrica Europa
  • September 30, 2011 Concerti al Cenacolo 2011 ( Early Music Concerts )

    Cenacolo di Andrea del Sarto Via di San Salvi 16, Firenze 24 ottobre-2 novembre 2011

    Homme Armé Cenacolo 2011 (pdf)

    La quindicesima edizione dei Concerti al Cenacolo, il principale appuntamento con la musica antica a Firenze e in Toscana, è dedicata quest’anno ai 500 anni dalla nascita di Giorgio Vasari.

    24 ottobre: “O dolce notte”, l’Homme Armé, Gian Luca Lastraioli

    29 ottobre: “Del cantare alla bastarda”, Marco Scavazza, Cristiano Contadin

    31 ottobre: “Vite e voci”, l’Homme Armé, Andrew Lawrence-King

    2 novembre: “Ars musicae”, Andrew Lawrence-King